Jan Weenix
Dutch Baroque Era Painter ,
Amsterdam 1640/42-1719
Painter and draughtsman, son of (1) Jan Baptist Weenix. Jan probably received his first instruction as a painter from his father, and it is possible that he helped finish certain of his father's works. He probably remained in Utrecht after his father's death. By 1664 he had become a member of the Guild of St Luke in Utrecht without, however, having submitted the required entrance painting, which he provided by 1668. There are several documented references to Jan in the late 1660s. He inherited a legacy along with his uncle, the painter Barent Micker, and other family members in 1667, at which time Gillis, his younger brother, apparently still required a guardian. He received another legacy in 1668, the year of his marriage, and in 1669 served as a witness for the inventory of the painter Jacob de Hennin (1629-c. 1688) in The Hague. Related Paintings of Jan Weenix :. | An Italian Seaport | Agneta Block and her family at their summer home Vijverhof with her cultivated pineapple | Een aap en een hond bij dood wild | After the Hunt | After the Hunt | Related Artists: BACKHUYSEN, LudolfDutch Baroque Era Painter, ca.1631-1708
Ludolf Backhuysen (or Bakhuizen) (Dec 28, 1630 - Nov 17, 1708) was a Dutch painter, born in Emden, Hanover.
Bakhuysen started his career as a bookkeeper. He had a very nice handwriting and loved arithmetic. Working for a wealthy merchant at Amsterdam, he discovered so strong a genius for painting that he relinquished the business and devoted himself to art. He studied first under Allart van Everdingen and then under Hendrik Dubbels, two eminent masters of the time, and soon became celebrated for his sea-pieces.
He was an ardent student of nature, and frequently exposed himself on the sea in an open boat in order to study the effects of storms. His compositions, which are numerous, are nearly all variations of one subject, the sea, and in a style peculiarly his own, marked by intense realism or faithful imitation of nature. In his later years Backhuysen employed his skills in etching and calligraphy.
During his life Backhuysen was visited by Cosimo III de' Medici and Peter the Great. In 1699 he opened a gallery on the topfloor of the famous Amsterdam townhall. After a visit to England he died in Amsterdam on November 17, 1708. MORALES, Luis deSpanish Mannerist Painter, ca.1520-1586
Spanish painter. The origins of his highly individual style are complex. His meticulous technique and the prominent echoes of the style and forms of Leonardo da Vinci and Raphael indicate the formative influence of Italianizing Flemish painters. This accords with Palomino's statement that Morales was trained in Seville by the Flemish Mannerist painter Peeter de Kempeneer (known in Spain as Pedro de Campara), who is recorded in Spain from 1537. It has been suggested that Morales visited Italy c. 1540, but this seems most unlikely. Felix de vuillefroyFrench, 1841-1910
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